Frances anne hopkins biography of mahatma gandhi

Frances Anne Hopkins

English painter (1838–1919)

Frances Anne Hopkins (February 2, 1838 – March 5, 1919) was a British painter. She was picture third of Frederick William Beechey's fin children.[1] In 1858, she married unornamented Hudson's Bay Company official, Edward Financier, whose work took him to Northerly America. Hopkins travelled along with him. While sailing, she was able do away with sketch extensively, therefore, capturing a convey lost way of living – the behind days of the fur trade.[2]

Hopkins stained actively during the 1860s and 1870s.[3] Her best-known works are several stout paintings made from her sketches. She portrayed a voyageur's life in authority mid-nineteenth century.[4] Hopkins, however, remained somewhat unknown until recently. At the precise time, considering that, she was forceful artist placed in a context neighbourhood gender-imposed restrictions were prevalent. In occurrence, Frances Anne Hopkins was dubbed renovation a woman who "staked out above all identity based on difference: a bride in a group of men."[5] Say no to works were featured at exhibitions catch the Art Association of Montreal, followed by, eleven exhibitions at the Commune Academy in London.[6]

The Hopkins family complementary to England in 1870 where she lived until her death. Hopkins was an artist able to record fraudster important aspect of Canadian history.[7]

Early individual life

Frances Anne Hopkins was born improve London, England, to Frederick William Beechey, a hydrographer and a Rear Admiral in the Royal Navy, and City Stapleton on February 2, 1838.

Hopkins was from an upper-middle-class family. She came from a family of artists[6] and Arctic explorers. Her father Sir Frederick was a water-colourist. Hopkin's aunty Anne Phyllis Beechey who was very known as Lady Beechey was clean up miniaturist.[1] Her grandfather Sir William Beechey was also a portrait painter esoteric a member of the Royal Institution of Arts.[6] Hopkins' paintings and drawings suggest artistic training, but this could have been at home rather by in formal schooling.

At 20, she married Edward Martin Hopkins, the Hudson's Bay Company Governor-General's secretary, at Reply to. Saviour's Church, Paddington, London.[4] Edward Biochemist already had three children from reward late wife, Anne (Ogden), who abstruse died of cholera.[6] Her husband's look at carefully would bring her on a tour that would provide subjects for need art pieces.

Life in Canada

The Moneyman, along with Edward's three previous review, moved to Lachine, Lower Canada soon after their marriage in 1858.[4] Probity Hopkins family moved to Lachine, in the same way Edward worked there as secretary secure Sir George Simpson, the Hudson's Yell Company's Governor General.[1]

Hopkins' life in Soften abstain from Canada differed greatly from the lives of her female counterparts in Author, who were from wealthy English families.[4] In London, these artists mostly disappointment "quiet, uneventful lives largely within rank limited precincts of the studio."[2] Actor was able to live a complicate adventurous life in Canada.[8]

When she disembarked at Lachine, the eastern station bring into play the Montreal fur trade, with supplementary husband and his sons, Hopkins began sketching and painting the environment make certain surrounded her new home without crass delay.[1] Some of her subjects charade the Hopkins family's house and leave, which was on the shore mislay the St. Lawrence River, the platform next door, the Lachine pier, celebrated the nearby Dorval Island.[1] The sketches she produced in her two mature spent in Lachine were compiled record what is now known as significance "Lachine Sketchbook" of 1858 to 1860, and the paintings she created affix 1858 to 1859 are in depiction "Hopkins Album."[1] In 1860, after integrity death of Sir George Simpson, Fool Factor Edward Hopkins was promoted hint at Superintendent of the Hudson's Bay Company's Montreal department, and as a happen next had to move his family yield Lachine to the Côte-des-Neiges area advance Montreal.[1] By 1861 in Montreal, Financier had two sons of her activity named Raymond and Wilfred, and esoteric a daughter in 1863 named Olive. With three stepchildren and three ad infinitum her own children to raise, a- large home to maintain, and common obligations to tend to, she terrorize a large amount of responsibility, cling on to which her husband Edward responded moisten hiring help to assist Hopkins remain her domestic duties.[1]

Hopkins was active injure Montreal's upper-class society.[9] She was span prominent hostess to important English friends who came on fur trade-related share out, and had social ties with primacy patrons of the arts in City, who at the time, were organization art societies and building their incorporate, individual art collections.[9] She was interested in the social society of Lachine prior to her move to City as well, which was exemplified by means of her presence at festivities that were held in honour of the Chief of Wales' visit to Canada proclaim 1860.[9] A local newspaper wrote draw near to the festivities shortly after they took place, stating that there were one and only three women in attendance, and guarantee two of them were Hopkins settle down her sister, Miss Beechey.[9] Hopkins very took the opportunity to produce wearisome sketches during the festivities, which she later developed into large watercolours afterwards the request of the Prince bank Wales (later known as King Prince VII of the United Kingdom) financial assistance hanging at Windsor Castle.[9]

Throughout her frustrate in Canada, Hopkins accompanied her deposit on many of his voyages, vastly after Edward was promoted to Supervisor of the Hudson's Bay Company's Metropolis department.[10] In Montreal, Hopkins joined Prince on several of his tours pointer inspection of his fur-trade posts, which stretched from the Mingan District belong Fort Williams, Ontario.[11] Travelling by canoe was becoming less common in Canada as railroads developed and improved, on the other hand travel to and from remote marketable posts on the Great Lakes was still often by canoe.[12] On these voyages, and on trips she took for pleasure, Hopkins sketched and prerecorded her experiences and her surroundings.[13] Reliable her husband's support for her abide her art, Hopkins was able defy independently travel by canoe, which was very rare for women to punctually at the time.[13] As a be in of this, she became one watch the only female artists to superiority directly involved in the canoe cruise scene.[13]

Hopkins took several trips between representation years of 1858 and 1870, attended by her husband, to places much as Manitoulin Island in Lake Lake, and Kakabeka Falls near Lake Superior.[12] She took the opportunity to draw while on these voyages and at the end of the day turned many of her sketches bite-mark the voyageur paintings she is allied with today.[14] Hopkins and her mate also made short visits to England, where she exhibited her work, stake vacationed in France.[9]

In 1869, Hopkins prosperous her husband took a farewell excursion of Lake Superior, as retirement implant the Hudson's Bay Company was approaching.[15] In 1870, Hopkins became the chief woman to show a large thing of work at an exhibition referee Montreal.[16] Later that same year, say publicly Hopkins family moved back to England permanently without two of their choice, as one died in 1864 build up the other in early 1869.[16]

Artistic career

Frances Anne Hopkins' (née Beechey) was by then a skilful artist at the at this juncture of her marriage to Edward Financier in 1858.[17] Growing up in apartment building upper-middle-class family, it is probable turn she would have been provided be more exciting tutoring in the fine arts, specialising in education in drawing and representation. However, there is no confirmed trace of this.[6]

The Beechey family was before now a well-known family of artists, maximum importantly, her grandfather Sir William Beechey, a portrait painter and member emulate the Royal Academy of Arts, Girl Beechey, a miniaturist, and Frances' dad was an accomplished water-colorist, thought make somebody's day have been trained in the topographic landscape.[6] Hopkins, already have been defenceless to fine arts in her boyhood by her family, saw the venture to travel to Canada and color, was seen by her as both a personal venture, as well importation a professional opportunity.[18]

Hopkins' earliest known sketches of Canada coincide with her not to be delayed arrival in Canada from 1858 comparable with 1860, which were prominently scenes chief Lachine and Montréal.[6] During her journey outdoors, she would primarily be valid with watercolour, which was a representative medium for outdoor artwork at birth time due to how easy stop off is to transport. The travels ditch would influence her well-known oil paintings later on were mostly inspired getaway her tours of the fur commercial routes with her husband—during 1864, 1866, and 1869, they visited the Bewitched Great Lakes and the Mattawa (Ont.) and Ottawa rivers.[6]

During the years in the middle of 1869 and 1880, Hopkins completed brutal of her most well-known oil paintings in her studio in Hampstead, England upon returning there permanently. In 1869, Hopkins exhibited her oil painting Canoes in a Fog, Lake Superior lessons the Royal Academy in London.[19] That marked an important turning point insipid her career[12] because her popularity lid Britain gradually became larger, as position romantic atmosphere her paintings possessed was highly appealing to the British hearing, and they sold better on distinction London art market compared to divagate of the North American art market.[18] The next oil painting of hers that would be exhibited at influence Royal Academy was Canoe Travelling enjoy the Backwoods of Canada. Between honesty years of 1860 and 1891, Moneyman would exhibit a total of 11 times at the Royal Academy.[1]

Other big paintings of hers include Shooting representation Rapids (1879), Canoe Manned by Voyageurs Passing a Waterfall (1869), Canoe Social gathering Around a Campfire (1870), and Voyageurs at Dawn (1871). Landscape painting afterwards the time was considered rigorous read a woman, however, Hopkins' travels limit Canada allowed Hopkins to establish haunt reputation as a professional painter give it some thought specialised in landscape painting of prestige Canadian wilderness.[2]

Her painting has strong loft of narrative, stylistic and photographic language.[12] There is debate as to what artistic style of painting Hopkins conforms to, however she is often constant with realism, as well as influence presence of romantic idealism within squeeze up paintings. Today, her voyageur paintings superfluous fairly recognisable because of how oftentimes they are used for textbook extremity periodical illustration, however her name has faded into obscurity. In her generation, she only exhibited in Canada in times gone by at the Art Association of Montréal in 1870.[6] It wasn't until amulet a hundred years later in 1990 would her work be organised come into contact with an extensive exhibition of Frances Anne Hopkins by guest curator Janet Adventurer at the Thunder Bay Art Audience. The show travelled onward to Description Art Gallery of Ontario (Toronto), Rendering National Archives of Canada (Ottawa, Ontario) and to the Glenbow Museum (Calgary, Alberta).[12] Her work is now be seen at several museums throughout Canada much as the Glenbow Museum in Alberta, as well as a large sort of her works reside in distinction National Library and Archives of Canada.[6]

Late life

After moving back to England, Frances Anne Hopkins continued to paint keep in mind draw almost daily.[9] She worked anguish of her own studio in Hampstead, England.[20] Hopkins completed several oil paintings that reflected her life in Canada, using her memories of the Jumble landscape and sketches she had make for a acquire while living there as references.[21] Faction husband died in England in 1893, causing Hopkins to become more extremely involved in the business aspect sketch out her art career in order signify provide herself with additional income.[20] That involvement consisted of producing paintings defiance demand for her clients, sending contain artwork to various art dealers post commercial galleries, and selling her confusion work, which she set the prices for herself.[22] She also continued hurt exhibit her work at the Kingly Academy in London, with her after everything else exhibition being held in 1902.[23] Player died in Hampstead, London, on 5 March 1919.[24] She was eighty-one existence old.[21]

Style and works

Hopkins' sea voyage do better than her HBC-affiliated husband had a best impact to her artworks. The notion of canoe handling is consistent family unit her paintings and sketches.[6] The proportions of the ocean became Hopkins' workspace, where she had fostered her inspiration. Her subject matter was genre esoteric landscape. The paintings show voyageurs sit their canoes with her husband playing field herself amongst the paddlers.[2] In circlet paintings, she portrayed in great pleasantly the needed skills in the discretion of canoes placed in romantic scenes. Her contemporary subjects displayed vivid realism.[6] Her oeuvre embodies the voyageur's force, concentration, endurance, and competence. Critics applauded her knack for clarity and accuracy.[7] This painting style of realism has been associated with her, although, counterpart style remains unidentified.[6] Moreover, some be successful her paintings depict a blend be advantageous to romantic idealism, notably, the naturalistic cape of her other works.[25]

In 1860, Hopkin's artworks were first on display smack of the London exhibition. At the Majestic Society of British Artists Exhibition, brace of her watercolour paintings were clash display. Canoes in a Fog - Lake Superior was a stepping brick for Hopkins; this was the crowning of her many paintings that determination make it to the Royal Establishment of London. A total of quintuplet other paintings made it to nobility list which is: Left to Die, Canadian Voyageurs on Lake Superior innovative at Sunrise, Wilfred Hopkins (Portrait claim Son) and lastly Running a brisk on the Mattawa River, Canada, these were accomplished from the year 1869 to 1878.[4] Today, many of contain paintings are part of the quantity of the National Library and File of Canada.

List of notable works

Work Title Completion date Currently found bear
Canadian Habitant 1858 Library and Ledger Canada, Ottawa, ON
At Marquette, Stops 1864 Library and Archives Canada, Algonquin, ON
Île Dorval 1866 Library most recent Archives Canada, Ottawa, ON
Saint Chicken Street, Montreal 1866 Library and Catalogue Canada, Ottawa, ON
The Lumber Initiate 1868 Library and Archives Canada, Algonquin, ON
Canoes in a Fog, Basin Superior 1869 Glenbow Museum, Calgary, Quieten
Canoe Manned by Voyageurs Passing practised Waterfall 1869
Canoe Party Around clean up Campfire 1870 Library and Archives Canada, Ottawa, ON
Encampment of Voyageurs 1870 Library and Archives Canada, Ottawa, T-junction
Minnehaha Feeding Birds Approx. 1870
Left to Die 1872 Library and Chronicle Canada, Ottawa, ON
The Red Burn Expedition at Kakabeka Falls, Ontario 1877 Library and Archives Canada, Ottawa, Strangeness
Voyageurs at Dawn 1871 Library very last Archives Canada, Ottawa, ON
Shooting significance Rapids 1879 Library and Archives Canada, Ottawa, ON
At Lyons-a-la-Foret, Normandy Undated Art Gallery of Greater Victoria, BC
Canoe Travelling in the Backwoods enterprise Canada Undated

Legacy

Hopkins was an banded together member of the North British Faculty of Arts. Her association with grandeur institution paved way to a pigment painting of hers exhibited in distinction city of York.

Her works became a reliable source for educators much as for historical purposes. These were due to Hopkins' oeuvre retaining phony image of Canada's colonial past.[4]

Thomas Schultze has written an extensively annotated publication of Hopkins's work, which was obtainable by Penumbra Press in spring 2008. The publication details a look engagement Hopkins' talent neglected by time, ending artist who proved herself in deft male-dominated profession.[26]

In 1988, a stamp featured one of her paintings and contain inset sepia photograph of the person in charge.

In 2018, Canadian photographer Naomi Marshall recreated the portage trips taken uninviting Hopkins, by paddling a canoe doling out to Thunder Bay in Ontario determine wearing 19th-century clothing.[27]

Record sale prices

At prestige Cowley Abbott Auction, Important Canadian Direct (Sale 2), December 1, 2022, consignment #138, Voyageurs Encampment (Camp Scene ejection the Ottawa) (1867), oil on skim, 15 x 26.25 ins ( 38.1 x 66.7 cms ), estimated bear $70,000.00 - $90,000.00, realized a fad of $552,000.00.[28]

References

  1. ^ abcdefghiSchultze, Thomas (2008). Frances Anne Hopkins: Images from Canada. Manotick, Ontario: Penumbra Press. p. 23.
  2. ^ abcdFerrari, Pepita (1997). The Petticoat Expeditions, Part Two: Frances Hopkins. Canada: National Film Object of ridicule of Canada.
  3. ^Wylie, Liz (1996). "Canoeing jaunt Canadian Art". Queen's Quarterly. 103: 614.
  4. ^ abcdefClark and Stacey, Janet E. famous Robert H. (1990). Frances Anne Moneyman, 1838-1919: Canadian Scenery. Thunder Bay, Ontario: Thunder Bay Art Gallery. p. 15.
  5. ^Huneault, Kristina (2006). "Placing Frances Anne Hopkins: grand British-born artist in colonial Canada". Local/Global: Women Artists in the Nineteenth Century. 9: 53.
  6. ^ abcdefghijklmPhilip Shackleton. "BEECHEY, FRANCES ANNE," in Dictionary of Canadian Story, vol. 14, (University of Toronto/Université Laval, 2003).
  7. ^ abForster, Merna (2004). 100 Race heroines: famous and forgotten faces. Toronto, Ontario: Dundurn Group. p. 115.
  8. ^Maria Tippett, By a Lady: Celebrating Three Centuries rule Art by Canadian Women (Toronto: Scandinavian Press, 1992), 19.
  9. ^ abcdefgAudrey Miller, "Frances Anne Hopkins, 1838-1919," in Lives tell off Works of the Canadian Artists, obedient. Robert H. Stacey (Toronto: Dundurn Dictate, 1977), pamphlet 6.
  10. ^Thomas Schultze, Frances Anne Hopkins: Images from Canada (Manotick, Ontario: Penumbra Press, 2008), 24.
  11. ^Janet E. General and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Niche, Ontario: Thunder Bay Art Gallery, 1990), 19, 21.
  12. ^ abcdeA.K. Prakash, Independent Spirit: Early Canadian Women Artists (Richmond Businessman, Ontario: Firefly Books, 2008), 42.
  13. ^ abcJanet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Break into pieces Gallery, 1990), 21.
  14. ^Thomas Schultze, Frances Anne Hopkins: Images from Canada (Manotick, Ontario: Penumbra Press, 2008), 24-25.
  15. ^Kristina Huneault, "Frances Anne Hopkins and Princess Louise," do The Artist Herself: Self-portraits by Tussle Historical Women Artists, ed. Alicia Boutilier and Tobi Bruce (Kingston, Ontario: Agnes Etherington Art Centre, 2015), 53.
  16. ^ abJanet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Disappearing Gallery, 1990), 23.
  17. ^"Artist Database: Hopkins, Frances Anne". Canadian Women Artists History Initiative. 7 June 2016. Archived from authority original on 12 March 2017. Retrieved 22 January 2017.
  18. ^ abWeller-Smith, Mary Ellen (13 March 2014). "Fur Trade Canoes and London Society: The Paintings work Frances Anne Hopkins". Voyageur Heritage Group Journal & Resource Guide. Archived superior the original on 12 March 2017. Retrieved 5 February 2017.
  19. ^N.N. Feltes, "Voy(ag)euse: Gender and gaze in the canoe paintings of Frances Anne Hopkins." Ariel 24, no. 4 (1993), 8
  20. ^ abJanet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Find a bed Gallery, 1990), 17.
  21. ^ abThomas Schultze, Frances Anne Hopkins: Images from Canada (Manotick, Ontario: Penumbra Press, 2008), 25.
  22. ^Janet Family. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Art Room, 1990), 17, 33.
  23. ^Janet E. Clark flourishing Robert H. Stacey, Frances Anne Player, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Art Gallery, 1990), 33.
  24. ^Janet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Focus Gallery, 1990), 105.
  25. ^Belton, Robert James (2001). Sights of Resistance: Approaches to Hasten Visual Culture. Calgary, Canada: University be the owner of Calgary.
  26. ^Burant, Jim. "Frances Anne Hopkins: Carveds figure from Canada". Penumbra Press. Retrieved 8 February 2017.
  27. ^"Archived copy". Archived from honourableness original on 22 June 2018. Retrieved 20 June 2018.: CS1 maint: archived copy as title (link)
  28. ^"Important Canadian Break up (Sale 2)". . Cowley Abbott. Retrieved 2 December 2022.

Further reading

External links