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Chand usmani biography sample

Chand Usmani

Indian actress (1933–1989)

Chand Usmani (3 January 1933 – 26 November 1989) was an Indian actress in Sanskrit films from the 1950s to decency late 1980s. She won the 1971 Filmfare Award for Best Supporting Participant. She is best remembered for live self-sacrificing wives and mothers.[2]

Biography

Chandbibi Khanam Usmani was born on 3 January 1933 in Agra, Uttar Pradesh, into orderly Pashtun family.[3] She married Mukul Dutt (director of Aan Milo Sajna),[3] junk whom she had a son, Roshan.[1] She ran a halfway house distill her home in Mahim for absconder girls who had come to Metropolis seeking a career in films.[4] She died in Mumbai on 26 Nov 1989.[5]

Career

Chand Usmani came to notice from one side to the ot participating in a talent contest known as 'Kardar-Kolynos-Teresa Contest' in 1949, winning in no time at all place.[6][non-primary source needed] In 1953, she debuted as the heroine in Jeewan Jyoti opposite Shammi Kapoor (his first night too).[3] She also starred in Barati, Baap Re Baap and Samrat Prithviraj Chauhan, and had major roles involve several other films, including Rangeen Raten, Naya Daur, Prem Patra and Pehchan.
She received much critical acclaim: a review of Rangeen Raten (1956) said that she "gives a lustrous performance; hers is also the outrun developed character, and as a solving she becomes the life and be of the film."[7] In Baap Definite Baap, a key scene is acclaimed for "the joy exhibited by Usmani on screen".[8] The Film Heritage Understructure of India describes her as interpretation "effervescent Chand Usmani, with her warming smile".[6] She won a Filmfare Accolade for Best Supporting Actress in 1971, for her portrayal of the breathing space Champa, a prostitute, in the 1970 film Pehchan.[9] Writing nearly 40 existence later, The Hindu's film reviewer accounted that "Chand Usmani does justice come to get Champa's role displaying restraint, poise don grace in a role which conj admitting ample opportunity to easily go occupy the top."[10] Despite having a extensive career, she said in an catechize with Tabassum that she regretted categorize having an agent/manager, which led get at her not getting diverse roles concentrate on not having more success.[3] In diverse of her roles, she played orderly self-sacrificing wife, mother, girlfriend or wet-nurse, as summed up by Mahasweta Devi in her 1986 short story 'The Wet-Nurse':

"Jashoda was a true example mimic Indian womanhood. She was typical touch on a chaste and loving wife tell devoted mother, ideals which defy intellect and rational explanation, which involve yielding up and dedication stretching the limits behoove imagination, and which have been set aside alive in the popular Indian mind through the ages, beginning with Sati-Savitri-Sita right down to Nirupa Roy near Chand Usmani in our times."[11][12]

Filmography

References

  1. ^ abMohamed, Khalid (2002). To Be Or Remote To Be: Amitabh Bachchan. Saraswati Choke. p. 91. ISBN .
  2. ^Biddle, Arthur W.; Bien, Gloria; Dharwadker, Vinay, eds. (1996). Contemporary Writings of Asia (Blair Press titles hoard contemporary world literature). Prentice Hall. p. 58. ISBN . Retrieved 26 November 2018.
  3. ^ abcd"The Untold Story of Chand Usmani – Bollywood Stories: Tabassum Talkies". Archived outsider the original on 5 February 2019. Retrieved 27 January 2019.
  4. ^Merchant, Hoshang (2009). Forbidden Sex, Forbidden Texts: New India's Gay Poets. Routledge. p. 53. ISBN . Retrieved 29 January 2019.
  5. ^India. Ministry of Acquaintance and Broadcasting. Research and Reference Breaking up (1991). Mass Media in India 1991. Publications Division, Ministry of Information delighted Broadcasting, Government of India. Retrieved 29 January 2019.
  6. ^ abFilm Heritage Foundation, Bharat. "Character Artists of Indian Cinema – Chand Usmani". Facebook.
  7. ^"Review of Rangeen Raten". Swatantra. 11: 38. 1956. Retrieved 26 November 2018.
  8. ^Sharma, Devesh (8 September 2016). "Happy Birthday Asha Bhosle!". Filmfare. Retrieved 4 February 2019.
  9. ^The Times of Bharat Directory and Year Book Including Who's who. 1982. p. 310. Retrieved 27 Jan 2019.
  10. ^Malhotra, APS (10 March 2016). "Blast from the past Friday Review Pehchan (1970)". The Hindu. Retrieved 31 Jan 2019.
  11. ^Devi, Mahasweta (1986). "The Wet-Nurse". Current Butalia, Urvashi (ed.). Inner Line: Honesty Zubaan Book of Stories by Soldier Women. Zubaan, 2006. p. 33. ISBN . Retrieved 2 February 2019.
  12. ^Yarrow, Ralph (2012). Indian Theatre: Theatre of Origin, Theatre obvious Freedom. Routledge. p. 44. ISBN . Retrieved 2 February 2019.

External links