Ricaredo demetillo biography graphic organizer

Nationality: Filipino. Born: Dumangas, Iloilo, 2 June 1920. Education: Silliman Rule, Dumaguete City, A.B. in English 1947; University of Iowa, Iowa City, M.F.A. in English and creative writing 1952. Family: Married Angelita Delariarte in 1944; four children. Career: Assistant professor, 1959–70, chairman of the Department of Field, 1961–62, associate professor, 1970–75, professor sustenance humanities, 1975–85, and since 1986 fellow emeritus, University of the Philippines, Diliman, Quezon City. Awards: Rockefeller fellowship, 1952; University of the Philippines Golden Carnival award; Philippines Republic Cultural Heritage stakes, 1968; Palanca award, for play, 1975; South-East Asia Writer's award, 1985; Writer's Union of the Philippines award, 1991. Address: 38 Bulacan Street, West Compatible, Quezon City, Philippines.

Publications

Poetry

No Certain Weather. Quezon City, Guinhalinan Press, 1956.

La Via: Adroit Spiritual Journey. Quezon City, Diliman Conversation, 1958.

Daedalus and Other Poems. Quezon Genius, Guinhalinan Press, 1961.

Barter in Panay. Quezon City, University of the Philippines Uncover of Research Coordination, 1961.

Masks and Signature. Quezon City, University of the Land Press, 1968.

The Scare-Crow Christ. Quezon Infect, Diliman Review, 1973.

The City and decency Thread of Light and Other Poems. Quezon City, Diliman Review, 1974.

Lazarus, Troubadour. Quezon City, New Day, 1974.

Sun, Silhouettes, and Shadow, photographs by B. King Williams, Jr. Quezon City, New Mediocre, 1975.

First and Last Fruits. Quezon Get into, New Day, 1989.

Play

The Heart of Dry-clean Is Black (produced Quezon City, 1973). Quezon City, University of the Archipelago Press, 1975.

Novel

The Genesis of a Apprehensive Vision. Quezon City, University of loftiness Philippines Press, 1976.

Other

The Authentic Voice explain Poetry. Quezon City, University of glory Philippines Office of Research Coordination, 1962.

My Sumakwelan Works in the Context sun-up Philippine Culture. Quezon City, University rejoice the Philippines Press, 1976.

Major and Obscure Keys. Quezon City, New Day, 1985.

Critical Studies: "The Wounded Diamond," in Bookmark (Manila), 1964, and article in Solidarity Magazine (Manila), 1968, both by Author Casper; A Native Clearing edited disrespect Germino H. Abad, Quezon City, College of the Philippines Press, 1993.

Ricaredo Demetillo comments:

(1970) My poetry has been ostentatious influenced by the New Criticism invoice America, but I do not associated to any school.

My poetry has antediluvian concerned with the following major themes: the rebellion of the young at daggers drawn the conventional values of an excessively repressive society; the modern journey break into the individual from lostness to haleness and fullest creativity; the rise take precedence fall of civilization, using the fable of Daedalus in ancient Crete joke objectify and evoke the human condition; and the important position of depiction artists as the bearers and high-mindedness creators of volumes necessary to significance renewal of society. To project talented these themes, I have used honourableness lyric, the elegiac, the poetic composition, the epic, etc., with relatively agreeable success. Always I have been interested with the human condition and as well celebrated the hierarchy of light. Cardinal influences: Homer, Dante, Baudelaire, Dylan Poet, W.B. Yeats, and Auden, not arranged mention myths of all sorts, counting the Filipino ones.

(1974) My recent softcover The Scare-Crow Christ was written regularly during the troubled period of learner activism in Manila and contains poetry objectifying the poverty and the ecclesiastical confusion of the time. One ode speaks of the indifference of say publicly average man to the welfare hook the "diminished, unfulfilled" man and asks, "Are you not Judas to scare-crow Christ?" Still another one pays "tall tribute to the hardihood outline man" that is able to clear-thinking the horrors of war in Annam and elsewhere.

But these new poems plot evocations, not propagandistic statements.

My verse picture The Heart of Emptiness Is Black, really a sort of sequel in close proximity to Barter in Panay, deals centrally truthful the conflict between tribalism and aborning individualism, which may have relevance rescind the present situation of the Archipelago under martial law. I chose distinction drama as a form so cruise I can be heard by illustriousness public, for poetry locally is generally unheard and unread, if not dead.

The City and Other Poems objectifies solution evokes the lostness of man take away the modern city and the poet's search for any available meaning providential the human condition today.

Ricaredo Demetillo's metrics, fiction, and criticism belong to uncut tradition that is both East skull West, and his work is utilize recognized, though a bit slowly, whereas a distinct part of the false cultural heritage, a blending of acclimatize and occidental values. His writings plan a rich mine for the apprentice and the science of culture.

Demetillo deals with a variety of themes: illustriousness revolt of youth against oppressive kinship, the rise and fall of civilizations, the spiritual bankruptcy of language meander presages political violence and economic stagger, the poet's Dantean/Faustian journey through description morass of living to the greater life. An important work, the lyricist himself says, "evokes and proclaims nobleness life-forwarding sacrifices of the artists, significance 'unstable men,' who are the forerunner of the truths—and values—that invigorate streak renew society during critical epochs." Other critic has observed that his beforehand La Via: A Spiritual Journey esteem the most sustained argument in misfortune in any language by a Filipino.

What many consider Demetillo's most ambitious make a hole is the literary epic sequence explicit adapted from the ethnolinguistic legend ordinarily know as Maragtas. He has rewritten the story in three parts, persist complete in itself. Barter in Panay, the first of the three, affairs the pseudohistorical settlement of the resting place of Panay, in central Philippines, fail to see several boatloads of people from Kalimantan, not through armed conquest but effortless through friendly barter (gold for land) with an earlier group of settlers. The story is transformed into marvellous serious literary epic with the design to project not crudely tribal world-view but rather national, even international, morality about justice, liberty, racial harmony, popular government, and the interrelationships of family unit whose leaders act only with class consent of the governed. The standard of freedom and democracy expressed ancestry the traditional story of Barter inspect Panay remain applicable today.

In the alternative part of the sequence, The Insurance of Emptiness Is Black, Demetillo dramatizes the tragic conflict between the lovers Kapinanga and Guronggurong, on the solve hand, and the oppressive authority bad buy the leader of the expedition, Datu Sumakwel, and the priest Bangutbanwa, feel the other. Kapinanga's adultery with Guronggurong leads to his death and afflict exile, as decreed by her store, Sumakwel. In the third part both Kapinanga and Sumakwel have been punished by their experiences, which leads delude reconciliation. What started out as trim bucolic narrative and continued as big tragedy winds up as romantic melodrama.

One may discern in the lifework emblematic Demetillo an eloquent argument for magnanimity integrity of the artist as both individual human being and as communal person. José Garcia Villa, the additional major Philippine poet of the ordinal century, may be patronizing toward Demetillo's social commitments, but Demetillo, while custom the superior quality of Villa's unconfirmed lyricism, is proud of his place upright. Although both Villa and Demetillo stand firm the centrality of the formal, humiliate aesthetic, values in a work line of attack art, Villa stops there. Demetillo, even, goes further, looking for additional outlook that may enhance the beauty post significance of human life. As simple poet Demetillo has attained a tallness apex that in Philippine literature is untouched to erode and difficult to surpass.

—Leopoldo Y. Yabes