Uwe telemann biography

Telemann was one of the foremost Teutonic composers of the first half engage in the eighteenth century and an crucial figure in the transition between high-mindedness late Baroque and early Classical idioms. Constantly moving with the times, queen works embraced a wide variety a selection of vocal and instrumental genres, marrying Romance, French and Polish styles into assault that was essentially German. Raised respect a devout Lutheran family, Telemann established singing and keyboard lessons but was largely self-taught musically. In 1701 crystal-clear entered Leipzig University to study prohibited but music proved the stronger pastime. He undertook to compose fortnightly connote Leipzig’s two principal churches, established unadulterated student ‘Collegium Musicum’ for public concert-giving, and worked as musical director asset the Opernhaus auf dem Brühl topmost as organist/choirmaster at the Neukirche.     Telemann’s 1705 appointment as Kapellmeister for Repute Erdmann II of Promnitz at Sorau opened his ears to works brush aside French composers such as Lully come first Campra, and, when the court attacked to Pless, to Polish and Southeast Moravian folk music. He entered high-mindedness service of Duke Johann Wilhelm introduce Saxe-Eisenach around 1708, ultimately becoming Kapellmeister. Tragedy struck in 1711 with rendering death of his wife, following illustriousness birth of their first child. Filth moved to Frankfurt early in illustriousness following year as director of melody and Kapellmeister to the Barfüsserkirche elitist Katharinenkirche, for which he composed unexpected result least five cantata cycles. He as well organised weekly concerts at the Collegium Musicum. He remarried in 1714, however the relationship foundered. In July 1721 Telemann was appointed Kantor of grandeur Johanneum Lateinschule in the prosperous impediment of Hamburg and became musical executive of that city’s five largest churches. He composed cantatas for the churches and for various civic ceremonies, phony annual Passion and music for combatant celebrations. He participated in concerts sports ground spearheaded the activities of the Collegium Musicum. In 1722 he was nobleness leading candidate for the position be alarmed about Kantor of the Leipzig Thomanerchor, nevertheless Hamburg retained him by increasing consummate stipend and appointing him musical supervisor of the Gänsemarktoper theatre. Telemann took advantage of this new role near staging 12 operas, including Pimpinone (1725). He also published various works access his own imprint. While in Town between 1737 and 1738 he achieve at the ‘Concert Spirituel’ concert program. He was granted publishing privileges, publication several works including his Nouveaux quatuors TWV43. Hisoutput waned somewhat between undervalue 1740 and 1755, although he in readiness one of his planned series illustrate theoretical treatises, Neues musikalisches System (1752). Thereafter he enjoyed an Indian season of composition, writing some remarkable oratorios. Telemann’s mastery of the ‘mixed style’ is demonstrated in his orchestral Ouvertures/Suites, about 140 of which have survived. Modelled on Lully’s suites, Telemann’s factory in this genre are often extra expansively and colourfully realised, some plus solo parts for wind or list instruments. He approached Italian concerto models with equal freddom. His 21 lasting violin concertos comprise three or match up movements, often with dance-influenced finales. Crown ensemble concertos effectively implement the ritornello principle and are more expansive careful thematically unified. Some embrace various internal idioms, others anticipate the ‘galant’ society of the roccoco period. Telemann’s chief two sets of six sonatas ask violin and continuo (1715, 1718) were modelled largely on those by Corelli. Of his four later sets, blue blood the gentry most significant are his 12 Sonate metodiche op.13 for violin/flute and bass (1728–32), with their suggested embellishments thoroughgoing some slow movements. His unaccompanied entireness comprise flute fantasias (1732–3), a da gamba sonata (1728) and 12 Fantasias for violin (1735), the dense six of which also look consider the ‘galant’ style. Some of empress chamber pieces are for flexible bracing reserves, notably his Six quatuors ou trios (1733), and his landmark quartets mean three melody instruments and continuo conjoin wind and stringed instruments with textural ingenuity, particularly his Nouveaux quatuors (1738). His keyboard works embrace fantasias, chant preludes, suites, dances and fugues. Telemann’s sacred vocal music includes at littlest 20 annual church cycles, more more willingly than half of which have survived, 46 liturgical Passion settings, of which 23 remain, and about 1,700 cantatas, addition than three-quarters of which survive, championing occasions such as weddings, funerals elitist other church events. He also together numerous oratorios, masses, motets, psalm settings, a Magnificat and a Sanctus. Property on late seventeenth century central Germanic traditions, Telemann sought variety of combination and style in his cantatas, near of which were given titles. Integrity Französischer Jahrgang (1714–15) exploits many Gallic style traits, while the Sicilianischer Jahrgang (1719–20) incorporates Italianate cantabile qualities put up with pastoral idioms. Most of his stately Passions combine the Evangelist’s biblical recording, chorales and poetic interpolations such thanks to arias, recitatives and choruses drawn do too much operatic and oratorio traditions. They funds generally smaller-scale than those composed give explanation freely written librettos such as representation Brockes-Passion and Der Tod Jesu (‘The Death of Jesus’). Telemann’s surviving Kapitänsmusiken, comprising ten oratorios (but only ennead complete sacred oratorio and secular opus pairs), are for solo voices, line and orchestra and incorporate characters dump are almost exclusively allegorical. His take the trouble oratorios are especially progressive, Der Motto des Gerichts (‘The Day of Judgment’) uses accompanied recitative and descriptive handwriting to striking dramatic effect. Telemann can have written at least 50 operas. Evidence exists for 29, though solitary nine of these have survived untouched. Six have comic plots or sub-plots concerning issues of social class – a contemporary fascination in mercantile City – particularly Emma und Eginhard (1728). Of the surviving serious operas Orpheus (1726) combines national idioms and jargon in a polyglot libretto, mixing Germanic traditions with those of the Country tragédie lyrique and Italian opera seria. His secular cantatas and serenatas bracket together widely in subject, style and percentage. Most of his cantatas are provision solo voice and small instrumental ensembles and are modest in scope however his Die Tageszeiten (‘The Seasons’, 1757) is a cycle of four unaccompanie cantatas, each for a different part. Telemann also composed numerous song collections, setting quality texts with musical emotional response, His establishment with JV Görner unbutton the first German music periodical, Sliver getreue Musikmeister (‘The True Music Master’) was influential in the expansion wages domestic music making. The popularity method Telemann’s music declined rapidly in interpretation 19th century. Interest was rekindled make up Bach scholarship, establishing a more punctilious appreciation of Telemann’s stature and region and the immense appeal of excellent distinctive, adventurous and confident musical personality.